Lonely Melody MP3 - A Relaxing Ambient Music for Meditation and Sleep
"Wind It Up" received mostly negative reviews by contemporary pop music critics. Entertainment Weekly's Michael Slezak found the bassline "rubbery" and criticized the song for lacking a melody as well as its reference to Stefani's own clothing line. Stephen Thomas Erlewine of AllMusic stated that the Neptunes had forced the sampling "into one of their typical minimalist tracks, over which Gwen spouts off clumsy material-minded lyrics touting her fashion line and her shape". Bill Lamb of About.com rated the song three and a half stars, giving it "high marks for entertainment value", but commented that it sounded like a retread of "Rich Girl" from Stefani's debut album Love. Angel. Music. Baby. Charles Merwin of Stylus Magazine was mixed on the track, writing that "it's preventing something far less interesting from getting played." John Murphy from musicOMH panned the track as "just horrible, and possibly the worst start to an album this year". Spence D. from IGN characterized the song as "a bugged out Sound of Music bhangra blitz that sounds like part M.I.A. and part Julie Andrews".
"Wind It Up" met similar success in Europe, reaching number five on the European Hot 100 Singles. The single debuted at number eight on the UK Singles Chart, selling 10,381 downloads in its first week. The following week, it rose to number three (behind Take That's "Patience" and Cliff Richard's "21st Century Christmas") with 17,706 copies sold, earning Stefani her second highest-peaking single in the United Kingdom after "The Sweet Escape". It had less success across the continent, reaching the top 10 in Belgium, the Czech Republic, Finland, Ireland, Italy, the Netherlands, and Norway, and the top 20 in Austria, France, Sweden, and Switzerland.
the lonely melody mp3 download
1 When Jacob met the Lord upon that lonely night,And wrestled there alone until the morning light;He won a princely title to gird him for the right,I want that kind of blessing.
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I've been a performer my whole life. Ever since my first performance of Amazing Grace on the harmonica in my Great Aunt Robina's living room, the stage has had me hooked. I thrive on the immediate feedback of an audience. I love the applause, the laughter, the silence and the connection. As a teaching artist, I used to walk into an elementary school and within minutes, I'd have the whole gymnasium eating out of the palm of my hands. On the edge of their seats, the students would be hanging on every spin of the banakula, every twang of the jaw harp and every big chord of the melodious khaen. The sense of power was palpable. The exchange of energy was magical. Now, I'm mostly housebound. I'm living alone with a nasty version of an illness called ME/CFS and I've lost my stage. There's no crowd of fourth graders circling around me, no sound system, no microphone and no wild applause. It's just me and my phone shooting videos on Instagram, selfies on Facebook and a podcast on Substack. It's lonely here in the digital world of content creation and I'm starving for connection. I'm hungry for validation.
Lately, I've been finding great enjoyment making music in my home. I'm so grateful that I still have the strength to put a chromatic harmonica to my lips and to create something beautiful. I love producing new melodies and I treasure the flow of the creative process. It's usually the highlight of my day. When I'm working out a melody, I'm not thinking about the ringing in my ears or the aching in my legs or the weakness in my constitution. When I\u2019m in the flow, the pain falls off to the side and the joy keeps expanding. That\u2019s the part I like \u2014 being deeply engaged in the moment. Some friends and I call this \u201Ctop line behavior.\u201D It\u2019s the opposite of \u201Cbottom line behavior.\u201D These are the things that nourish my soul and make me glad that I\u2019m alive. Solving the puzzle of a new melody is one of the great joys of my life.
But I recognize that the creative process is more than just the joy and the flow. It includes the doubt in times that are fallow. It includes the longing and the waiting. It encompasses the endless wrestling of the words and the fighting of the phrase. It offers the glorious satisfaction of listening to the final product on repeat and then finally, it calls for the letting go. That's the part I struggle with the most \u2014 the release. When the melody is done, when the episode is finished, I send it into the world and then I face the great unknown. Hungrily, I await your digital response while I question whether I\u2019ll ever create again. Many times, I\u2019ve faced this void and it terrifies me every time. I\u2019m left with the ringing in my ears, the brokenness in my body and old habits of negative thinking that are hard to die. Often, after the work is done, when I should be celebrating, I feel afraid and alone. I wonder if this is all part of the creative process. I wonder if this is all part of living in a body.
"Only the Lonely" is the title track of Frank Sinatra's album of the same name. The song's composers, Sammy Cahn and Jimmy Van Heusen, were asked to write a song for the new project, and this song became the final outcome of their work. On the song, Van Heuson wrote in the liner notes for Only the Lonely: "The lyric came very hard. Session without session without the glimmer of a line. Sammy is as facile a man with words as there is in our business, and I thought changing the melody here and there might be helpful. He wouldn't permit me to change a note."
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Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Ginestra, Homework, Bells, Atmospheric Densities #17, Atmospheric Densities #16 March 28, false dawn, Atmospheric Densities #15, China Life, and 131 more. , and , . Excludes subscriber-only releases.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Live Online Gig Sessions 1 & 2, Sea Sharks EP, Looking For Light, A to D in STEREO, Doctor Paranoia EP, The Acoustic Sessions - Darkest Days, and Darkest Days. , and , . Purchasable with gift card Buy Digital Discography 34.40 GBP or more (20% OFF) Send as Gift Share / Embed 1. Sea Sharks 05:02 lyrics buy track If I ever lost my mindWould it tear you up inside?Could you leave it all behind?Losing memories to the skiesDrowning in a sea of sea sharksSwimming in a sea of 'Shee'Drowning in a sea of sea sharksSwimming in a sea of 'Shee''If i ever lost my mindWould you recognise the signs?If I've lived a thousand liesStraight to Hell, but you're heaven's mineDrowning in a sea of sea sharksSwimming in a sea of 'Shee'Drowning in a sea of sea sharksSwimming in a sea of 'Shee'I'm Drowning in a sea of sea sharksSwimming in a sea of 'Shee'I'm Drowning in a sea of sea sharksSwimming in a sea of 'Shee' 2. People Who Are Lonely 05:05 lyrics buy track Can not wait, no way to get homeCan not wait, no way to get homeLike a stranger in a strange land no romance of solitudeFeel the danger closer to hand with the pain of the lonelinessThere are People who are lonelyand there are people who don't understandCan not wait, no way to get homeCan not wait, no way to get homeLike a traveller light years away alone in a love-less worldAlways searching for the connection to fill and feed the soulThere are People who are lonelyand there are people who don't understandThere are People who are lonelyand there are people who don't understandPeople who are Lonely... 3. Miss Strange Desire 06:40 lyrics buy track She's got to bethe wrong recipeShe'd tempt away the holiest manEyes wide and freeLove's enemyThere's nowhere left when it's 5 a.m.A tease to make you waitPure intoxicateTime to seal your fateNow it's 5 a.m.Burns higher and higherMiss Strange DesireBurns higher and higherMiss Strange DesireBad CompanyLiving FantasyOne kiss away from respectable streetsPure AngelfaceShows no fall from graceNo hiding place from your world of sinBurns higher and higherMiss Strange DesireBurns higher and higherMiss Strange DesireIt's not a crime now to feel desireIt's not a crime now to feel aliveIt's not a crime now a strange desire it's in me, it's in youit's in me, it's in youit's in me, it's in youit's in me, it's in youit's in me, it's in youit's in me, it's in you 4. Blindness 04:55 lyrics buy track Have I really changed that much that you just don't see me?'Invisible Man' now to you, and that isn't easyHave I really changed that much that you can look right through me?You can find your dreams still, Bottled up inside meooh-hoo When will you start to see again?ooh-hoo Tell me when you start to seeI'm still the same inside now, you just won't see itExist to kill my pride yeah, but you'll never believe meI don't have much faith now, in your cold remindersOpen your eyes up to me yeah, and see past the Blindnessooh-hoo When will you start to see again?ooh-hoo Tell me when you start to seeWhen will you start to see again?Tell me when you start to seeWhen will you start to see again?Tell me when you start to see 5. Yaliskari Beach (Bouzouki Interlude) 01:50 buy track about All Songs Written, Arranged and Produced by 'the man with the STEREO hands'Recorded and mixed on a Tascam 488 analogue 8 track studio at Stereohands studios, Oxfordshire, UK. $(".tralbum-about").last().bcTruncate(TruncateProfile.get("tralbum_about"), "more", "less"); credits released September 16, 2019 All Vocals, instruments and Drum programming by 'the man with the STEREO hands'(C) 2019 Neil Dwerryhouse(P) 2019 Neil DwerryhouseAll Rights Reserved.The copyright in this recording is owned by Neil DwerryhouseAll Rights Reserved $(".tralbum-credits").last().bcTruncate(TruncateProfile.get("tralbum_long"), "more", "less"); license all rights reserved tags Tags alternative indie guitar sea sharks ep chameleons dreampop powerpop the chameleons Oxford Shopping cart subtotal USD taxes calculated at checkout Check out about the man with the STEREO hands Oxford, UK